Posts tagged “sask

EXPO 40 jaar atelier Fotokunst

I was invited to join a group exhibition regarding the 40-year existence of the Department of Photography at SASK Hasselt, where I studied photography. Yesterday was the opening. Unfortunately due to this exhibition’s opening falling together with me preparing the exhibition in Stein (which will open tonight) I didn’t manage to get there in time for the opening speech. I also found very little time advertising this exhibition while it’s really worthwhile to pay it a visit.

This exhibition contains work of René Borzée, who is the founder of the photography department at SASK, gum prints, salt prints and Van Dykes from Karel van Gerven, under-water pinholes and liquid emulsions on a base of gold leaf by Patrick Poels, the series “I Was A Dog” by Anton Kusters and my work, lith prints and wet plate collodion images.

We were chosen to be part of this as we continued our search for images after school ended, each in a unique way. I feel really honored to be part of this and please go and see this wonderful exhibition.

academiegalerie | opening hours
mon-fri 10u-21u | sat 10u-16u | sun closed | stedelijke academie voor de schone kunsten | kunstlaan 12 Hasselt | t 011 23 98 40
www.kunstencampushasselt.be

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Wet Plate Collodion Demo @ SASK St. Niklaas (BE) 10-04-11

Some time ago I was invited by Fred Bosschaert & Lieven Nollet to give a wet plate collodion demo at SASK St. Niklaas. Yesterday came that day. I got up at 6:30 to leave for St. Niklaas at around 07:15. Unfortunately I forgot some stuff and had to drive back home to pick them up. Add to that the construction works at the E313 leading to me arriving a bit later than I had hoped for. When I got up to the classroom where I was giving the demo I saw everyone was already seated and waiting for me to start. And as chaotic as I can be I started. Luckily Bart came along for the demo and we worked together flawlessly as he took up the preparing of everything in the darkroom while I could find my way in talking and laying everything out on the table.

One attendee looking at the Darlot lens

One attendee looking at the Darlot lens

It was a fantastic demo with lots of engaged listeners. It’s so fantastic seeing the surprise and wonderment on peoples faces when showing them the camera with the ground glass, explaining the age of the lenses, its apertures, black glass vs. clear glass and of course the process where especially the fixing part jumps out and makes for wild reactions. It was such a great pleasure showing them and spreading the knowledge of gone-by days. One person was so kind to send my photos of that day which I could place on my blog. So, all images (so far) are the courtesy of Corien de Witte.

I brought some images for them to see and feel

I brought some images for them to see and feel

I also brought a quickly produced photo on clear glass (negative) so they could see what would happen with (right side) and without black (left side)

I also brought a quickly produced image on clear glass (negative) so they could see what would happen with (right side) and without black backing (left side)

Prepping the photo of Lieven Nollet, the photography teacher at SASK St. Niklaas

Prepping the photo of Lieven Nollet, the photography teacher at SASK St. Niklaas

The darkroom part; they have this marvelous space with an open wet table in the middle which provides for an optimal working space to show people the process

The darkroom part; they have this marvelous space with an open wet table in the middle which provides for an optimal working space to show people the process

Under the hood, final focusing before the actual photo

Under the hood, final focusing before the actual photo

Right before I placed the back with the plate on the camera

Right before I placed the back with the plate on the camera

Lieven Nollet immortalized

Lieven Nollet immortalized

Bart was kind enough to varnish the plates made (my hands can't stand the heat very well)

Bart was kind enough to varnish the plates made (my hands cant stand the heat very well)

Bart varnishing the plate

Bart varnishing the plate

Unfortunately I don’t have any images of the photos made, I did two, but hope that someone will be willing to give me those so I can put them here as well (hint hint) 😉

Edit: I received a scan from the first plate I made that day from Lieven. Thank you Fred! Bit of weird the collodion pealed off as it was a tintype = clean plate to start with. Next plate was much cleaner. Maybe I was less nervous then 😉

Edit: I also received a photo where the second plate is on also from Corien de Wiite (thank you again!)

For some reason yet unknown to me the photo decides to upload itself in magenta…I’ll have look at it later, for now I find it kind of funky (though not representing the original).

Anyway, I would love to this again as everyone seemed to have had a wonderful time, including me!


Triennial Istanbul 2010

It has started! Together with 4 other people we are representing the Academy of Fine Arts Hasselt (SASK) during the Triennial in Istanbul which is being held from the 7th til the 30th of June. I couldn’t make it to see the exhibit unfortunately but you simply can’t have it all 😉 Luckily I received some photos from Angelina, also participating. The other participants are: Birgit Stulens, Jean-Pierre Pijls en Rudy Cools. Angelina was so kind to bring a book from Istanbul with all the works gathered and shown there.

Me on the left, Jean-Pierre on the right

Jean-Pierre on the right, me on the left

Birgit on the left

Birgit on the left

Jean-Pierre on the right, me on the left

Jean-Pierre on the right, me on the left

ISBN: 978-975-400-331-4

ISBN: 978-975-400-331-4

FLTR first page then 2nd: Me, Rudy, Angelina, Jean-Pierre, Birgit

FLTR first page then 2nd: Me, Rudy, Angelina, Jean-Pierre, Birgit

Anyway, looking great!!

-Ciao-