Posts tagged “rollei 131

1st & 2nd Pass Lith Printing

As mentioned in the former post I dived into the second pass lith printing thingy. This means exposing the paper like normal, developing in standard bw-developer, stopping, fixing, rinsing, bleaching the print in a sepia bleach bath, rinsing, re-developing in Lith. Below I’ll describe how I did it, which chemistry I used, which papers etc. and the only thing you’ll have to pick up from this post is NOT to do it like I did now. It didn’t quite work out the way I anticipated it, mostly because of lack in technique.

Papers used:
* Ilford MGW.1K, fiber based warmtone paper
* Ilford MGT.44M, PE based warmtone pearl paper
* Ilford MG ART 300 paper (their new stuff)
* Ilford IB0.26K, Ilfobrom expired grade 0 paper
* Ilford IB4.26K, Ilfobrom expired grade 4 paper
* Rollei 131, fiber based warmtone paper

Chemistry used:
* 1st pass standard bw-developer Amaloco AM6006 1+9
* 2nd pass Moersch Easylith developer 1+1+24, + 50ml old brown in a total bath of 2 litres
* Sepia Bleach home-made: 100 gr Potassium FerriCyanide & 100 gr Potassium Bromide to 1 litre of water
* Amaloco S10 stopping bath 1+19
* Amaloco X89 fixing bath 1+4

Other variables:
* Temperature of lith developer +/- 30 degrees Celsius
* No MG filters used when exposing the paper
* Bleaching time approx. for all prints: 3 minutes

I think I screwed up on a couple of points. First of all, I used to many  different kinds of paper. This was my first try-out with bleaching and redeveloping it would’ve been smarter to just try one or two papers, take it from there and when I feel I got it a bit under control, try more papers. But, as I don’t have that much time, I figured the more the merrier. Well, not always 😉

Secondly, I’ll try a different 1st developer as it’s supposed to have an effect on the outcome after the 2nd development. I will try Agfa’s Neutol WA next.

Thirdly, I noticed a lot of stains, stripes and the like turning up during the 2nd pass developing. According to Tim Rudman’s book this is due to sloppy technique (which is quite possible) or bad rinsing, pollution etc. I rinsed too many papers in a too cold a rinsing bath because of my urge ‘the more the merrier’ so I screwed up there I think. Also, I didn’t hypo the prints after fixing. I though a decent rinse would be just as effective for this testing phase. I should know better.

What I didn’t like about the redeveloped prints is that they don’t have the coloration I wanted, they remain pretty much black and white, like before I bleached them. Perhaps that has to do with the amount of time I redeveloped them? Too long for the strength of the developer? Maybe I bleached the prints too long?
And I will try the SE5 as the 2nd pass lith bath. It’s the bath I want to go work with in the future so what’s the point anyway with using the Easylith when I know I want to switch entirely anyway.

It’s a whole new world which I will go back to this afternoon. I hope the new tryouts will be a bit more of what I’m after. I’ll be using the paper Ilford MGW.1K and if I can find the time, also the MG ART 300. Agfa Neutol WA as 1st developer and SE5 as my second. I’ll reduce the bleaching time to about 1 minute to see what that changes. Anyway, not all at once 😉

An example of a bleached print before re-developing in lith


Ilford MG ART 300
7s exposure time | no filter
AM6006 normal bw developing (BORING) | 1:30 minutes | 20 degrees Celsius


Ilford MG ART 300
40s exposure time | no filter
Amaloco AM6006 normal bw developing | 1:30 minutes | 20 degrees Celsius

1st pass Easylith 1+1+24 | 1/2 Old Brown | 4:25 minutes | 30 degrees Celsius


Ilford MG ART 300
7s exposure time | no filter
AM6006 | 3 minute sepia bleach
2nd pass Easylith 1+1+24 | + 1/2 old brown | +/- 30 degrees Celsius

Ilford MG ART 300
7s exposure time | no filter
Amaloco AM6006 normal bw developing | 1:30 minutes | 20 degrees Celsius

2nd pass Easylith 1+1+24 | 1/2 Old Brown | 8 minutes | 30 degrees Celsius


The rest of the images really isn’t worth posting. I don’t even know what to make of them..let alone make them into a comprehensive something. I’ll slowly back away now and lock myself up in the basement for some more juice 😉

“Het Gouvernement” Maastricht

This building is the Province House of Maastricht, designed by architects, opened in 1986. It’s of quite unusual architecture and it looks fantastic at night because of the way it’s lit. I went last year with my dad to photograph it. This image was taken while standing on the Kennedy Bridge.


Image taken with Hasselblad 500CM + 50mm FLE
Kodak Tri-X 400 developed in Kodak HC110
Lith print on Rollei / Fomatone MG Classic 131 V2 (new emulsion)
Developer: Moersch Easylith 1+1+24. +/- 25 degrees Celcius.
Exposure time: 20 seconds No filter
Development time: 4:54 minutes.
Not toned (yet).

Lith Prints – Italy 2012

Finally the day arrived the darkroom would be all for me and I needed to make some lith prints for an exhibition. Last Tuesday I went in, first making some contact sheets of films I shot in Italy this year. Those looked promising! With a good mood I started the lith printing session only to end it rather disillusioned that very same evening. I had trouble finding the exposure time of the paper, I kept over-developing the paper time on time again which results in blocked blacks. For some reason I just couldn’t find the swing, even with negatives I printed before and had notes to refer back to. I ended the day with one print that would be a keeper. Not too shabby but far less than I normally end up with.

On top of that I ran out of chemistry and felt I was running out of paper as well. I had plenty of 18×24 but was making the bigger prints on 30×40 sheets. Luckily I still had quite a bit of 40×50 paper laying around so could’ve always cut that up. Next day at work I placed a speed-order for the paper, chemistry had already been ordered, and it took them two days to deliver the latter. The paper however still hasn’t arrived.

Last Friday I was able to take an extra day off at work to continue where I left off on Tuesday. Great! This day was definitely a whole lot more successful! I ‘finished’ the four other prints I needed for the exhibition (They still require quite a bit of work. Want to experiment a little with bleaching back certain parts and they require toning, selenium & gold, want to try a split tone) and was even able to try some photos I took in Italy this year which I shot with my new Elmarit 28mm f/2,8 on the Leica M6. This was a wonderful combination to work with, light, compact and an absolute solid friend for traveling purposes. No more dragging around the Hass with its lenses (although on the go I usually referred to the 50mm FLE only). These prints are the ones I wanna share today. They are test prints so want to work on them more but they certainly have great potential in my opinion!

General Information:
Rollei 131 Vintage FB Paper
Rollei Vintage Lith Developer 1+1+24
Average development time: 8 minutes
(average as in I’m too lazy to go look up my notes for the exact times ;-))


A small village called Hafling (Avelengo) in South Tirol, Italy. This village is situated at a height of 1200 meters.


The woods of a small village called Hafling (Avelengo) in South Tirol, Italy. This village is situated at a height of 1200 meters.


One of the bigger villages called Merano in South Tirol, Italy.


The woods of a small village called Hafling (Avelengo) in South Tirol, Italy. This village is situated at a height of 1200 meters.


These are still a work in progress and will make a broader selection of images as I really like them. With the overview landscapes with mountains in the back the lith process really emphasises the clear contrasty foreground opposed to the delicate tones of the mountains in the far background. I really like this. I’m not sure if this will be for this year as it will get really busy at work now but 2013 will be MINE!

-x 🙂 x-