Posts tagged “herman maes

Dutch Alternative Photography Meeting & Artist Talk: Jeroen de Wijs over Collodiumprocedés

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Uitnodiging
Dutch Alternative Photography Meeting & Artist Talk: Jeroen de Wijs over Collodiumprocedés

Zondag 19 april 2015
13.00 tot 16.30 uur (de lezing begint rond 14 uur)

‘t Oude Pothuys
Oudegracht 279
3511 PA Utrecht
030 231 8970
http://www.pothuys.nl/

10 minuten loopafstand van het CS en van een gratis parkeer omgeving (Heling). Zie: http://tinyurl.com/o32qodq

Toegang gratis.
Aanmelding is niet verplicht, wel gewenst i.v.m. beperkte ruimte in ‘t Oude Pothuys.
Aanmelden kan via de Facebook event-pagina of via DutchAlternativePhotography@gmail.com.

‘Toeval, traagheid, ambachtelijkheid’. Jeroen de Wijs (Boerdonk, 1975) weet precies wat hem aanspreekt in collodium-procedés. Tijdens de eerste bijeenkomst van Dutch Alternative Photography zal hij enthousiast vertellen over de liefde voor zijn vak. Hij heeft genoeg te melden. Niet voor niets experimenteert hij al jaren met 19e eeuwse collodium-technieken. Toch is Jeroen geen stoffige laborant. Als kunstenaar wil hij vroege fotografische processen graag zelf in de vingers krijgen zodat hij ze kan aanwenden voor zijn eigen werk: ‘Het is niet zo dat ik het oude wil reproduceren. Ik zoek juist naar moderne beeld- en presentatievormen’.

Dutch Alternative Photography is een platform voor alternatieve fotografie technieken in Nederland en Vlaanderen geïnitieerd in 2012 door An Zuriel. Het doel van dit platform is het overdragen van alternatieve fotografie kennis aan geïnteresseerden en het voor iedereen toegankelijk maken van het fenomeen alternatieve fotografie. Naast het online platform, wil Dutch Alternative Photography een podium geven voor netwerken en uitwisseling van kennis. Aan dit initiatief werken: Indra Moonen, Jeroen de Wijs, Herman Maes en An Zuriel.

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In het volle zonlicht – De Daguerreotypieën van het Museum Enschedé te Haarlem

I think it was two weeks ago a client from the photo store I work for came in and told me the book store across the street had a really nice book about a collection of Daguerreotypes originating from the Netherlands. I thanked him for the heads-up and planned to look up the book as soon as I had my lunch break. He offered to check for me if the book was still in stock. Ten minutes later he returned with what looked to be a book wrapped in gift paper. It was that specific book 🙂

inhetvollezonlicht_blog

It turned out to be a book on a collection of Daguerreotypes from one single family; Family Enschedé from Haarlem NL. They were able to trace 100 daguerreotypes, of which 81 are part of the collection of the Museum Enschedé in Haarlem and 19 still reside in the family’s hands, including a lot of letters going back and forth from different relatives in the family. With the help of these and additional diaries and account books they were able to trace these daguerreotypes back to this family, and even in great lines who was portrayed by which photographer. They have discovered and preserved a well-organised family archive which actually is one of the biggest photographic collections in the world of one single family.

The fascinating part here is that the preserved daguerreotypes are from the actual beginning of the invention of this process. Through their letters it becomes clear that this new miracle really is very special in the eyes of a lot of people and that certain members of the family make efforts in learning and working with this very process themselves which results in quite a bit of home-made daguerreotypes.

There’s also a chapter in this book dedicated to the technical aspects of this particular process and restoration of the images. All of the 100 daguerreotypes have been displayed in the catalogue section of the book with a proper description, as complete as was possible. Interesting!

Waysofseeing

One of the other books I came to finally finishing is “Ways of Seeing” by John Berger. Recommended to me when I was studying photography I immediately bought it but started reading it years later haha, and finished it past week. It’s an interesting book, have to read it again and try to read it all in one go (it’s not huge) but presents a different way of looking at things: art, oil paintings in relation to (modern) advertising, the presence of women (albeit nude or not) and how this differs from the presence of men and publicity. An interesting read, worthy of re-reading as I’ll probably notice more relations etc. during a second seeing.

I’ve also ordered another book, also touching the subject of ways of seeing: “Beeldspraak” from Ton Hendriks (thanks John for the heads-up!). More on that later 🙂