Koop een foto en help mee de volgende tentoonstelling mogelijk te maken!
Mooie lijsten zijn duur en voor de aankomende tentoonstelling eind februari wil ik mijn werk zo optimaal mogelijk presenteren. Daarom bied ik alvast één van mijn foto’s te koop aan zodat ik de gehele presentatie kan bekostigen.
Je kunt kiezen uit de volgende mogelijkheden:
20×30 € 125,00
30×45 € 175,00
40×60 € 225,00
20×30 € 75,00
30×45 € 115,00
40×60 € 150,00
De afdruk wordt voorzien van een nummer en handtekening om authenticiteit te waarborgen.
De foto wordt door mijzelf afgedrukt op Ilford Gold Fibre Gloss barietpapier.
Met lijst houdt in dat de afdruk wordt ingelijst in een Nielsen Quadrum Wengé houten frame.
De print (al dan niet met lijst) mag persoonlijk worden opgehaald. Hij kan uiteraard ook opgestuurd worden. Andere formaten en mogelijkheden op aanvraag.
De tentoonstelling “Blutwurst” die ik hiermee beoog te bekostigen, opent a.s. donderdag 27 februari om 19 uur in Kulturzentrum Alter Schlachthof te Eupen. Ik laat hier landschappen zien, gefotografeerd met de Leica Monochrom, van het Eerste Wereldoorlog gebied rond de Somme, Frankrijk. Naast mijn foto’s is er werk te zien zijn van Fotografen Collectief F68, waar ik deel van uitmaak, en diverse gastexposanten. De tentoonstelling loopt t/m zondag 30 maart.
Het totaalbedrag waar het om gaat, bedraagt ongeveer € 900,00, afhankelijk van het definitieve formaat. Dit omvat de lijsten voorzien van museumglas en het printwerk.
Bij reguliere crowdfunding-campagnes gaat alles pas door als het streefbedrag is gehaald. Dat is hier niet het geval. Indien je besluit tot aankoop van een werk ben je verzekerd van je foto en van de tentoonstelling. Tenslotte, alle beetjes helpen.
Neem contact op via email
Heel erg bedankt voor je hulp!
It’s amazing, and beyond my wildest dreams (well..) and it came to be true…my long awaited wish for which I sold my Hasselblad and M6 (and bloody kidney) to be able to fund it…the Leica M Monochrom (typ 246).
I’m not going to write an all-educated-elitarian review on this camera filled with upperclass words to describe something that is actually very simple: ❤️
This camera is so…camera! No unnecessariness..just a shutter button (with s,c etc), and a shutter speed dial. And a place for a lens (summicron 35mm). And a rangefinder. And something to attach the strap to. And…no color! Fieuuww.. 🙂
I’m still finding my way with this camera but so far…man…I love it. 50 shades of grey is nothing compared to this! Just wow. Underexposing standard to keep the highlights from blowing out. The detail in the shadow parts is absolutely stunning. The handling is so very nice. And it sounds so very delicately delicious. Looking forward to printing my first grande negatives from these files. I’m still working on the Serendipity theme, which pretty much has to be finished in December (preferably) so first things first but nonetheless…already have some images in mind worthy of being made transparant.
Anyway, didn’t think I’d ever get excited about a digital camera again, but this really does it for me. So far, it’s really what I hoped for. And it’s so ridiculous! Ha, away with you rationalness all time, passion and love it is!
Thus…onto what’s really important…images!
So..there you have it; my first impression! Very scientific, I know. With a lot of technical detail also. Eat it! MM246 FTW ☀️
Well, you won’t believe it but I have moved again recently… cheaper place with more outer space and a nicer workspace…or at least I thought…
It is a truly wonderful place with all the living areas on one floor, and a huge attic covering the entire length of the object, which really is quite fancy I might add. However, when we tried moving the wet table to the top floor, it just would not fit through the opening… The bottom floor does not allow for the creation of a proper working space so I kind of have lost the spirit a little. I will find out a way eventually but all this really is not very accommodating in keeping the spirits high.
I have decided on another matter and that is I will sell of my Hasselblad with three lenses and Leica M6 to fund a …Leica Monochrom :-), preferably the first edition. I’m so tired of developing film, knowing I will never use those negatives again for regular bw printing, I see no point in continuing to work this way. I want to do more with contact printing, as mentioned before, so shooting on film, while really only needing a digital file in the end to make large format negatives, beats the purpose. But, buying a digital camera, besides my Fuji X-T1 I use for assignments, for fun..that is a different matter. I don’t find digital cameras fun. Instead they are utterly boring. Thank god there’s a brand called Leica, and they have put on the market the most ridiculous and obsolete camera of all: the M Monochrom! It shoots only black-and-white.
‘Why’, my boyfriend asked, ‘why would you buy a camera that just shoots black-and-white and costs more than the average digital system with lens while the latter does both, giving you the all the adjustment-and tweaking options for making fine-tuned black-and-white images in post-production?’ Good question 🙂 My answer is that it comes with that fun-factor.
When solely looking at it in a rational manner, surely it’s probably better buying a regular SLR or mirrorless system, and post-process the images. But where’s the fun in that? I don’t like being behind the computer all day, I do enough of that work during my day-job. I love the limitations of this Monochrom. Its superb feel and touch, its slowness, its lack of buttons, its lack of common sense and rationality. I mainly work in black-and-white anyway. And as far as price is concerned, I work in a photo store so I’m hoping for that golden deal one of these days. And if you think the Monochrom is expensive, have a look at its special cousin, the Stealth Edition, which comes at a staggering € 15.000,- ! It’s all about perspective, right 🙂
I love to take my camera out in the field, to make collodion images on location. I prefer that over studio images. The only issue that kept me busy of the last few years? How to transport the camera when traveling. Until now I just put the camera in the car, no protection, and dragged it everywhere I needed it to be. I had seen one photo bag that I figured could hold the camera, the TinkTank Logistics Manager, but it was so expensive I never actually tried it.
As some of you know I work in a photo store in Maastricht, Foto Rembrandt (feel free to chime in and say hello if you’re nearby ;-). and two weeks ago I went with my colleague to a special ‘dealer’ day at one of our suppliers. This specific supplier Transcontinenta has, among other brands such as Leica, Gitzo, Lastolite etc, ThinkTank bags. I decided to take my camera to them to find out if they have a bag that would actually fit my camera.
They did! I ended up with the Video Rig 24, one of their largest bags on wheels. It makes it easy to carry the camera around, fits perfectly, along with some small items such as red light, charger, waterhouse stops and of course the glass plates, camera, lens, back and dark cloth. Needless to say I am really happy! All I need is a new car now as the bag hardly fits in the back 😉
This carefully hidden project finally saw the light of day and now the light of my blog 🙂
21st of June
I received a call. I hardly ever pick up my phone so I had to return the call. Menno picked up when I did, marketing manager at the B32 group. He said he saw my website and was excited about the collodion imagery. He asked me to have a cup of coffee with him as he wanted to talk about an interesting proposal he had in mind. The 27th of that month we sat down in a bar in Maastricht and he began to tell the story of Silvercreek, a clothing brand under the flag of Open32 / Blue32, with 65 shops in the Netherlands.
They are in the process of putting Silvercreek into the market as a stand-alone brand, like Levi’s and G-Star for example, with their dedicated stores. Silvercreek used to be a small mining town in America, now used by artisans who gave it new life after the mines closed. Inspired by this, Silvercreek thought it would be a great idea bring back craftsmanship and let ‘New Artisans’ tell their story.
So the first season they approached a furniture maker with whom they worked together. The second season they worked together with Evelien van Zonneveld from Werfzeep, who they visually followed in her process of soap-making, wearing clothes by Silvercreek. They also worked together with Frank Abbenhuis from Witloft, who they also followed in his process of apron-making.
In short “New Artisans” are asked to tell their story in front of the camera while wearing Silvercreak clothing. But also to create something in collaboration with Silvercreek. Evelien designed a special soap together with Silvercreek to be sold in their stores. Frank designed a special apron for them.
Back to the coffee… “So…,Menno continued his story, this brings us to the point why I am here. Would you be interested in being our next “New Artisan” for the FallWinter collection of 2016?”
Wow… I remembered him asking if I wanted to sleep a night over it before answering. No need for that, I replied. Of course I want to do this! He had a thing for black-and-white photography and the craftsmanship involved in making the wet plate collodion imagery. The mood in the collodion images fitted their look-book perfectly so I immediately felt a click with their approach. The only thing was that they were in a bit of a hurry as the new collection would hit stores in September. If I were able to plan a date soon where he would get the entire team together to shoot the event… The rest is history 😉
14th of July
9 0’clock in the morning, the bell rang. The make-up artist, Judith Pronk, arrived. It took the rest about half an hour more to gather. The rest of the team was made up by: Renee Ferron (stylist), Gijs Spierings (photographer), Sherman Emers (videographer) and of course Menno himself. At first hair & make-up, then clothing. I will let the images speak for themselves, but it was a great day. Lots of laughing, laughing until the tears rolled down my cheeks. Let’s say Judith had some work that day 😉 We shot images while me playing around with some of my cameras, some posed, some not so much. But the most cool part was that I was going to shoot a wet plate, and that they could follow the entire process of making them.
Explaining the process from start to finish took up a lot of time, including cleaning and everything. We first decided to do a portrait of me, the camera handled by Erik (focusing and exposing), while the chemistry and handling of the plate remained with me. We then planned to do a shot of the new jeans in their collection to make the circle round but time simply went too fast. When the clock hit 8 in the evening we all said goodbye and a truly wonderful day came to an end. To be continued.
We all kept in touch, I received all images from the shoot (wow), and Menno and I talked about the jeans some more. We both liked the idea to do an actual proper wet plate exposure of both new jeans models, copper for men, and amber for the ladies. So, it happened. On the 24th of August Menno arrived in my studio again, to shoot the jeans. Fantastic! Fabric looks so dead-gorgeous on wet plate! Everyone was happy. The images are going to be used as the campaign shots for these jeans, which is fantastic! They will be shown in a lot of places, even in bus shelters (sorry for all the exclamation marks haha)!
On top of that shoot, he had another proposal for me; As I was now the female “New Artisan” using old photographic techniques, they figured it would be awesome to put Gijs opposite of me as the male “New Artisan” using modern photographic techniques. And that it would be cool if I were to shoot Gijs for these series. WowWowWow! Never expected that to happen! So, I had to shoot a part digitally, funny as I ended up using a Canon EOS 5ds (I don’t like working with Canon AT ALL, but it was okay ;-)) But I was also asked to shoot a wet plate of Gijs, one with one of his cars, and one portrait just like mine.
Images of my shoot:
26th of August
I took of to Veghel where we planned the shoot at the “Koekbouw”, an awesome industrial spot there. The even more cool thing about this shoot was that Gijs normally photographs cars, Mercedes for example. And I just happen to love cars so it all came together! He arranged two cars for this shoot and I would follow him while photographing these. One was a Ferrari 348TS, and the other an old Mustang from 1965, both in impeccable condition. Both awesome as hell! Once again a great day! For collodion however, it was quite hard; temperature that day was 31 degrees. Still issues with my fixing bath giving spots, as became clear after the shoot; rinsing capabilities were limited and no KCN anymore for me. So, not a perfect shoot wet plate-wise but awesome nonetheless!
Apart from the story of Gijs and me, there were two more artisans asked for this edition: a couple working together as blacksmiths under the name of Atelier 79. They designed and produced a special coin for Silvercreek which will be in the pockets of the new male jeans when you buy one. This refers to the coin in mine-workers’ jeans to identify the deceased. And a cool necklace for the ladies in the shape of a paroquet, which were used in the mines to warn for gas leaks. Great people to have met and I’m looking forward seeing their atelier in person!
Images of Gijs, shot by me and edited by Gijs, the man himself
12th of September
The big national presentation of the FallWinter Collection 2016 🙂 Everyone, every employee in their stores, all who helped, all who modeled, got invited to join the presentation party which was held at the Koekbouw in Veghel. Of course we went too, and it was fantastic beyond words. Menno told me a little of what was going to happen but he kept the best part silent. We got there at around 7 in the evening. Got something to eat and drink, and watched all people walk in Silvercreek clothing, which was a pretty surreal sight on its own.
The jeans on wet plate collodion, 8×10″:
An official opening speech, live music, and a place where all new collections of all brands they represent at Open32, were shown. At a little over 10 we got to the special event that was announced earlier on that evening. It’s where they were to introduce their new jeans line in a spectacular kind of way. We were invited by Menno for a little sneak-preview before that moment. Luckily. Because what I saw when we entered that space…it was quite moving. This space is huge, about 100 metres in length, and impressive on its own. It was the same space we used for the shoot a few weeks back. To dress it up properly is quite the challenge. They succeeded. Big time. The space was entirely empty except for 4 HUGE drapes hanging from the ceiling behind each other in the middle of the space. Each drape spanned 5 by 3 metres… and contained my wet plate images! The first was the portrait of myself, the second the amber version of the jeans, the third the portrait of Gijs and the fourth the copper version of the jeans. I was stunned and overwhelmed. I never expected anything like this.
After that private sneak-preview everyone was invited into the hall, and the jeans were presented in a different coolish manner-style. Menno bought an SRV-wagon about a year ago and completely revitalised it, turning it into an actual driving Silvercreek selling point, which contained all the new jeans. Everybody received a special coin upon arriving that evening and with that coin, it became clear that it was to be used as a voucher for a free pair of new jeans for everyone! Cool huh! Everybody jumped the wagon of course 😉
The evening ended with some lovely dancing on beats and strings from the band. And with that this story also comes to an end. For now that is. This story is anything but over so….to be continued 🙂
Above images of the presentation courtesy of Erik Slangen.
Check this link over here —> sc-fw-2016-magazine-3108_lres_spreads for the original pdf of the new Silvercreek Magazine and knock yourself out!
Credits: All images where I am on, unless stated otherwise, copyright by Gijs Spierings Photography.
Seeing that I have quite a load of digital images, merely residing on my hard drives, I thought it would be good to give them back some meaning. Meaning and perhaps a new way to pay for my real love: analogue photography 🙂
In the future I might extend this beyond prints from digital files but for now this is it..
It took awhile, but finally a bit of rest caught up along with more will to start rebuilding the darkroom and studio. The thought of having to break it off again when Ad Hoc tells us to leave kind of put me off rebuilding. But in the end it keeps me from being able to work so rebuilding really is the only option. And.. it is fun! Rethinking everything all over is always a challenge and an exciting thing to do. The only major thing left to finish is hooking up the wet table to water and a drain. Got all the stuff, just needs to be done.
Today we finished making the space light tight with some great fabric, donated by Erik which he bought quite a few years back for a whole different purpose. My first plan was to use something like black rubble sacks, double-layered, and tape it to the windows (which were quite a few!). But this is much much better as only one layer is sufficient to get the job done and it’s white so reflects all red light inside and reflects light, thus heat, outside. Anyway, enough with the blabla…onto some images, from start to where it’s at now 🙂
So…that is as it stands now..Hopefully soon things will be fully up and running. About the cloth, it’s a three-layer synthetic fabric, two outer whites and one inner black. Don’t know the price, don’t know the name, only that it works REALLY well, it’s light, thin and easy to handle / cut etc. If I find more info on it in the future I’ll add this.
Have a great evening and I’ll be off for some dark dreams tonight 🙂
Again, it’s been a while since I last posted here. Again, lots have changed. Again, it was pretty chaotic. The ecstatic feeling since the last post has made place for quite a few ups and downs, of which the latter seems to have prevailed a bit. 9 years of relationship doesn’t “wear off easily” (for lack of better words) and leaves you with a hole which you only come to realise over time. Now I finally feel like I’m slowly getting my wits about me again and am looking forward to find out what this new year has in its pockets.
In short (oh well…) I have moved once again, this time hopefully for a longer while to come but the odds seem on the up and up. It’s an anti-squat building (legal squatting to prevent abuse of an empty building) which means it’s a whole lot cheaper than anything you compare it with and it’s BIG. It used to be a monastery, but also a school and a facility to house heavy autistic people. It has been thoroughly renovated 10 years ago so it’s in excellent condition with double windows, a large kitchen, a bathroom with a bath and separate shower and a separate toilet. And 6 rooms to do whatever we like with (storage mostly haha). And a HUGE garden which covers about 30 by 30 meters.
The image above you see a part of the building being paralel to the road; that’s our part, and a part perpendicular; that will be the studio part. Yes, good news! Today that part of the building became available, or at least for checking out, and we will be building our working spaces there, starting like next week or so! Finally I will be able to set up my darkroom again and studio. There’s even a doorway from our living room to that part of the building. So…that was excellent news today, can’t wait to get going 🙂
The rooms are approx. 7 by 8 meters and about 4 meters high. Should be big enough 🙂 Of course, the development will be posted here…
Anyway, in short, that’s how it stands. I’ve shot some more film but still haven’t gotten around to developing them. I have also shot some more Impossible, as you can see below, can’t find the others. The view from this place is really lovely as the first image shows. Hope to be able to post something more interesting soonishly. Until then and after that: all the best for 2015 for all of you!
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