Leica M6 + Elmar 50mm f/2,8
My newest camera purchase is a Leica! Going back to 35mm film, what a surprise! I still had a Nikon F100 laying around which I hadn’t used for over 3 years. Autofocus is boring, especially now that I have lenses (you know, for the eyes) I just love to work on manual focus. Sure you can switch the Nikon to MF but since it has no nice grid in the viewfinder to help with the focusing I thought it would be great looking at a decent manual one. And there came a Leica on my path!
The choice was not that hard to make and so far I love it! I intend to use it for landscapes, together with the Hasselblad, and shoot IR film with it. Having read that IR film and lith printing go hand in hand this is what I have in mind for them. Looking forward shooting my first roll of IR film, still in the fridge, hope to find the time soon!
Minolta Spotmeter F
It’s okay to brag about equipment sometimes, right…?! If not…then here it is anyway
I already owned a Minolta Autometer IV with spotmetering piece but wanted to buy a “real” Spotmeter one day. Today came that day! And for my dad the day came he owns his own light meter = a true win-win
If you also have one but are missing a manual please check out this link.
Have a great evening!
Darkroom Expansion Awesomeness !!!
Not too long ago I met someone who was thinking about giving up his darkroom. Only what to do with the stuff in it? Fortunately for me he decided he’d donate me what I would like of it as long as I would not sell anything. A dream really!! Especially since the collection consisted of an Omega D2 4×5″ enlarger which caught my interest as I’m planning on making Collodion negatives for printing purposes. All I was missing was an enlarger. Until now
So the last 2 days existed of recreating and reorganizing the darkroom to make some work space for this humongous thing. Long overdue anyway, reorganizing the darkroom, so the timing was rather perfect really. Now all is set to go, the work space has to be adjusted some more but that’ll flow once I do. And, I feel the urge to go and do something again and use my new camera as well!
I am totally gonna rock my ass off in there the next couple of… well… whatever how long
All I have to dig up from somewhere is a carrier for 4×5″ glass negatives but I’m sure that won’t take long! It’s pretty complete though. 2 carriers for 6×6, 1 for 35mm, 1 for 9×12 and 1 for 4×5″ negatives. Condensers, lamps and lenses included, one 80mm and one 150mm, forgot the exact type. Anyway, happy happy happy and a thank you!!
Ow, and I took a photograph of a list with all the negative carriers for the Omega D series for the ones that might be interested. If you’d like to have a high-res file shoot me an email: indra [at] contrastique [dot] nl
-
-
Blackart Woodcraft Camera 2010
My camera has arrived! I won’t say much about it besides it’s remarkably beautiful and will be on my side for a long time to come.
Well, I guess the photos say it all: I am more than happy! I’m glad the camera made it in one piece.
Oh, and I also received the Acute-Matte D for my Hasselblad today; makes one hell of a difference!
Best,
Indra
Blackart Woodcraft Fixer Box
It has arrived!! I’m very happy with it, it looks fantastic, is built very sturdy and way in time for the Wet Plate demo I’m planning for the Kunsttour in May. I figured it to be nice to have the KCN out of the way from people
Anyway, not much to see, on to some photos:
Needless to say; I’m very happy!!
Manfrotto 058 Triaud Tripod
So, you just gotta love them Ebay! Found the tripod I was lusting after, the Manfrotto 058. You can manage it while standing up, just reach out for its middle and adjust the height. Fabulous system and it matches with the 400 head just perfectly!
My boyfriend is in the middle of making a cradle for it that can hold my current camera and problem solved! That is soo likeabe!
Manfrotto 400 Geared Head
Recently I ordered an 8×10 wet plate camera from BlackArt Woodcraft and along with a new camera comes the possibility of being able to mount it on a tripod. The absolute biggest advantage the new camera will have! The only “problem” being left is that my current tripod is a Manfrotto 190XB with a 141RC head; able to carry up to 5 kilos. My current wet plate camera already weighs 5,3 kilos so I guess you can see the issue here.
About 1 1/2 weeks ago we ran into a second-hand geared head on the internet, the Manfrotto 400, the biggest there is out there especially made for large format cameras. Going price new: about €850,- Second hand: way doable at €275,-! So my boyfriend, as sweet as he is, ordered the head and today we picked up the package. Man, that thing is B.I.G.!!! Oh, and heavy and very wowie to use! With my D200 connected it looks totally ridiculous; that thing is bigger than my camera lol! But luckily I don’t use that camera that often anymore (though for jewelry and such this will be marvelous to work with) and it’s perfect for large formats. Just a heavier tripod and then that’s done too!
Yihaa!
Part 3: The Way It Turned Out To Be (for now)
Life is wonderful in taking turns you would never expect it to do. All you have to do is keep an open mind. After my delirious debating in my head about which route I want to take in my future something beautiful came on my path. Kumulus is a center of art education where I live and one of the teachers in analogue photography became pregnant. She had to go on her maternity leave and needed a replacement. They ended up asking me!
Needless to say I accepted the offer and already gave my first class. Wonderful. To pass enthusiasm on to other people is maybe one of the nicest things you can do. Knowledge must be passed on in order to survive and I see it as my obligation to do so. This way I can gain some experience in teaching as I’ve never done anything like this before (except with a group of young children for only a week in a camp kind of setting). It’s my first step into the direction I would like to go and from there we’ll see whatever else will come on my path again. It’s a lot more realistic doing it like this then having to set everything up myself. I’ll keep on building / expanding my own working space and will see how I take it from there.
So, that’s as it stands these days, not sure if you find it that interesting but thought a follow-up on my brainstorming would be the least I could write down here. Challenge life and it will challenge you in return!
Part 2: Brainstorming v.s. Dreaming
In my head I’m working on some new ideas… I love photography, want to specialize in alternative processes as they are so interesting and extremely various. I want to share my knowledge and build a platform where people have the ability to experience, learn new things and experiment. These things are seldom possible in the convenience of your own house and my plan lies in the direction of building a place where this all will be possible.
My concept would contain (as far as it stands now) 2 large darkrooms: one for “normal” black & white printing up to being able to process 8×10″ negatives. And one for the alternative side of photography. Due to the different use of chemicals, raw mixing v.s. working in an as clean as possible environment, I’d like to separate the two. The darkrooms are meant to be used for rental purposes so that everyone has the possibilty to work in a fully equipped darkroom, besides my own work I’ll make there.
A fully equipped professional studio. With that I mean a large, preferably daylight studio with light rails on the ceiling, you name it. It’ll have to be a process of developing over time as it will be a huge investment though. This will also be used for workshop purposes as well as being rented. I realize there’s a shortage of working space where I live and this would provide many people with the means of doing “crazy” things which otherwise wouldn’t have been possible.
A room which can be used for teaching, practicing the theoretical side of a workshop, playing documentaries etc. This place can also be used for cutting, finishing, retouching, mounting and framing photos.
Preferably a small place to eat or drink something, make a hot cup of tea or coffee but not much would be needed to realize that. Could even be situated in the teaching room.
And last but not least, a place to create exhibitions. For my own work but also for other people, to attract people and make them aware of the place and other things besides the overly digital world of photography.
But, unfortunately, all that is missing are the funds to finance this otherwise awesome plan. I’ll have to figure a way out to deal with that but it’s quite a big deal and obstacle. The investment is huge, not so much the equipment as analogue stuff is practically being dumped out on the streets but the housing of the project. Will I be renting / buying a warehouse on an industrial area which means I’ll have lots of (parking) space but it’s in a non-personal environment, no control, have to travel to go to work etc etc?
Or will I be working on buying a big enough a house to create this all at home so I can work from my house, which actually was my goal for the future anyway for example when having kids etc? This means an expensive house, a big house, huge alterations etc. While not even knowing if all this will pay off in the end. That’s the risk of undertaking and I like that in a way but we’re talking big stuff here. I’d like to try it but it’ll have to be a funded enterprise and I am not too sure how to accomplish that. But if this is the path I must follow something will come my way I suppose! If anything, the idea alone is fun already
Maybe to big a dream for a little girl but without dreams nothing would ever change.
Part 1: The Way it Is
Over the years I have been working on setting up my own darkroom and studio. Currently I am very pleased with what I have. It took quite some time and effort but I have this magnificant place to work in. However, I wouldn’t be a human of this world if I wasn’t wishing for change into bigger and better
But so far, I love it and best part: It’s at my house! I can work whenever I wish to do so. So photos:

































